I think I've featured something off just about every release by Bournemouth street punks Kill The Colossi since they formed in 2015. Tracks like Fuck The Taxman, Detonator and 196 Walls all being great sing along anthems from a band that can combine gritty with catchy. One of the comments when I played them on yesterday's Just Some Punk Songs show was that they were poppy enough to make them standout from the crowd. I'm not sure that all street punk and oi fans want their music to be "poppy" but it's certainly not meant as an insult, we're certainly not talking about saccharine sweet levels of poppiness. We're talking about a proper politically aware punk band with a hard edge that can write killer tunes. We're talking about a relatively new UK punk band that deserves mentioning in the same breath as some of their influences; Cock Sparrer, Rancid, UK Subs, Booze & Glory etc.
We're talking about a band with both an ever growing fanbase (they've recently been added to the bill for Rebellion 2020) and a very impressive body of work. This is the latest addition to it...
Their new single reminds me in a way of another great UK street punk band, Wolf Bites Boy (and if those guys are reading this we need new material from you!), in that it's a look back at days gone by. Reflections on times long gone and streets once walked. Friendship and family, memories often formed through the bottom of a glass, good old days. But there's also the realisation that those times have passed, people grow older and the future must be embraced. Life is great, make new memories. Oh, and it's as catchy as ever.
Good old Kill The Colossi, you can always rely on them to come up with a catchy as fuck street punk singalong. I was listening to today's song thinking it's not a blatant Clash rip off by any means but it certainly owes them a debt and then it ends with a blatant Tommy Gun drum riff courtesy of ex Gonads drummer Steve Higgins. A great way to finish a great song. It's the Bournemouth band's first outing as a trio, as well as Steve there's Adam Storey (guitars/lead vocals) and Rowan Miles (bass/backing vocals). It bodes well for future releases (they say there's plenty more new stuff in the pipeline). You can get more info here : https://www.facebook.com/killthecolossi/
It's a song I can imagine hordes of drunken punks dancing around to in a live setting. It's a relationship song which asks should I stay or should I go? (did someone mention The Clash!). Handle with care as this hand grenade is ready to detonate. The best thing I can say about this song is not only does it make me want to dance but it left me grinning ear to ear. It's that good.
So. Up at 4.30am. The result from last night's Croatia vs England World Cup Semi Final still getting me down. Get in the car for the 35 mile drive to work and the guy on the radio is sounding pretty flat as he discusses the game on Talk Sport. Sorry fella, I can't be arsed with you this morning. So I take the cellophane wrap off a cd that came in the post yesterday, slip the disc into the player and even though the songs blasting out of my car speakers deal with topics such as self loathing, suicide, racial intolerance, the bombing of innocent women and children, nut jobs being allowed easy access to guns, the taxman etc.... it still brightened up my day considerably.
Kill The Colossi are the Bournemouth band who formed in 2015, feature ex Gonads drummer Steve Higgins and who's last single, Fuck The Taxman, featured in the Just Some Punk Songs best songs of 2016 chart. Their sound is a mix of melodic punk and street punk (with the occasional ska interlude), their lyrics are intelligent whilst frontman Tyrone Moll has a voice that compliments it all perfectly. Rounding out the line up are guitarist/vocalist Adam Storey and bassist Rowan Miles. They list amongst their influences the likes of The Clash, Specials, King Blues, Booze & Glory, Rancid etc and I think that'll give you a fair idea of what to expect from them.
I don't usually comment on the production on here but I'll make an exception as the album sounds great (take a bow Gareth Matthews at GM Mix). The songs are both thought provoking and catchy as hell. I've enthusiastically said there's a few albums in the running for 2018's best lp (Material Support - Terror Prone Nation is probably just ahead of the pack) but I'm sure a few more listens will see Herd Mentality challenging for that accolade. 10 tracks, not a bad one amongst them, definitely demanding of your attention.
They've just released a very timely video. To coincide with Donalt Trump's visit to the UK, here's a song that wonders what's wrong with the world today and asks will this fear culture go away or will suspicion and intolerance continue to prevail.
Build your wall, we'll tear it down. Why don't we learn from history? This is called 196 Walls....
An interview today with South Coast Steve..... Steve Higgins.
Steve's been in a number of bands over the years and is currently drummer for 3 very decent Uk acts. We recently chatted about those bands, his thoughts on influential oi legend Gary Bushell and his thoughts on political infighting and the state of the current scene.
Just Some Punk Songs : How old were you when you discovered punk and who were the first bands you loved?
Steve Higgins :I was probably 14 or 15 and remember having Never Mind The Bollocks on cassette by the Sex Pistols and Black and White on cassette by Stranglers. I liked the anti establishment stance most of the bands took towards what was happening in the mainstream I also got into the Clash, Siouxsie And The Banshees and the John Foxx era of Ultravox!
JSPS : Was there much of a local punk scene or any good local bands?
SH : Not at first as I grew up in Bury st Edmunds, Suffolk.
A few local bands I remember were the Wynd-ups, they became 13th Chime and supported Theatre of Hate in Cambridge. As I remember Criminal Tendencies who later became Condemned 84 had a couple of guys I knew from Bury St Edmunds too. I know that those latter bands have issues.
JSPS : From what I can make out, your first band was Cries Of Tammuz in 1992. Following this was a bunch of bands I'm not familiar with such as The Heroines, Ordeal X, Monument, The Outcast Band and The Unit. What led you to join your first band, were they a punk band and are any of those early bands ones people should track down?
SH : Ok so Cries Of Tammuz was the first band I recorded with in 1993 they were a Gothic alternative Rock band likened to Fields Of The Nephilim
Some people may like some of it, it’s dark and atmospheric
In truth I gravitated more towards the Goth Dark Wave side of music in the early ‘80s into the mid ‘00s so the likes of Killing Joke, Banshees, The Cure & Joy Division I had more in common with.
I guess I reestablished my true punk roots when I moved to the south coast in 2010 when I saw an ad to join The Gonads and the inspiration for the church of Oi came out of that to help me re-connect and find out about the newer bands in the scene we know today.
The Heroines were like Throwing Muses, Pixies, PJ Harvey.
Ordeal X had more in common with Killing Joke and the Ruts.
Monument was a splinter band of Faces Of Sarah.
The Outcast Band are likened to The Waterboys, New Model Army &
The Levellers.
The Unit are 3 piece punk band which is/was Harv Harks solo project who now plays in Menace and is also in Missile. The Gonads - Warriors
JSPS : Did joining The Gonads feel like a step up? Where they still drawing in decent crowds this many years on from their heyday and Gary Bushell seems to be a bit of a devisive figure amongst some people. What's he really like?
SH : Joining The Gonads was a bit of both if I’m honest on the one hand it got me back into playing and listening to punk old and new including Oi and Streetpunk.
My second gig was at the Garage in London supporting the Cockney Rejects in front of 500.
On the other hand the Gonads are more of a joke band and I don’t really like that side although he has written a few socio political songs too.
Gonad’s headline gigs were generally only people that heard the early stuff.
People recognised Garry more for his tv and journalistic work.
Before I’d met him I knew about his past and my thought was Garry Bushell that wanker. But then as I got to know him a bit better I realised that he was one those people that was constantly kicking against the pricks, although I would say that he could have said more to unite the scene rather than divide. But in the end I guess when you're young you tend to be blinkered in your opinions then as you get older and wiser your mind expands and opens up more to what’s going on. I’ve met people through the years at gigs whose opinions and ideologies that they had when young have since changed to be less ignorant and more tolerant.
Like you hinted at earlier people either love or hate Garry Bushell.
The Decatonics - Standards
JSPS : You left The Gonads in 2013 and are now drummer with The Decatonics, Kill The Colossi and most recently The Crash Landings (all great bands that have previously featured on here). Is it hard finding the time to commit to all 3 bands? What does the future hold for them (I think Kill The Colossi in particular have a sound that should see them appeal to young punk fans and with the right material could be one of the biggest home grown punk bands around)
SH : It’s a case of prioritising which band has gigs etc that specific week so you focus on that.
As regards KtC we have our debut album all recorded, it just needs mixing.
Also on Wednesday this week we did a rehearsal as a 3 piece which seemed to go better than expected.
JSPS : Crash Landings' All Guts No Glory was one of my favourite albums of 2016 but they were pretty quiet this year. Anything on the horizon for them?
SH : TCL have a lot of new songs that are being worked on as we speak hopefully there will be an album or ep mid 2018.
JSPS : The oi scene has always been pretty splintered but it seems to me that where it was once left wing against right, nowadays more and more bands that aren't political are getting dragged in and targeted by the more extreme elements just because they refuse to get involved in the political side of things. Have you experienced any of this in the bands you've been in? I'm sure you know of plenty of non political bands that have. Do you think it's something that's getting worse?
SH : That’s a toughie!
I think the bands want people to like them and be entertained by them whilst trying to stand in the middle.
I haven’t experienced this in the bands I’ve played in yet.
Kill The Colossi - For Honour
JSPS : You started Facebook group The Church Of Oi. Their description is "Oi/Streetpunk is a Religion open to one and All Regardless of Race Colour Creed or Subculture. Music Unites All" It's a group that promotes oi music but won't tolerate extremism or politics. To me it seems a safe haven away from scene bullshit where fans can get together and just enjoy the music. There's also an increasing number of great oi bands getting invited to play the Rebellion Festival. Would you agree the oi scene is as healthy now as it's been since the mid 80's? And which new bands do you recommend to anyone who might be looking to explore the scene?
SH : Yes I believe that punk Oi Streetpunk alternative music has no colour or creed, as you can see what has happened with particularly the Skinhead culture worldwide like the Far East etc and South America. The scene is in a good place right now but there will always be someone somewhere that wants to stir up negativity. Regarding the 80s I was someone who was more on the anarcho punk side of things with the likes of Crass, Exploited, Discharge etc. New bands I like are the more melodic progressive ones like Arch Rivals Booze n Glory Boots n All Out of Order City Saints The Mistakes Grade 2 Dare I say Crash Landings Resistance 77 I could mention KtC Make sure you check out Never Be Quiet Records too. Being in a covers band can be fun but at the same time it can make you complacent
I always have a need to be playing, recording and writing new otherwise I’d get bored. As Drummer musician and yourself as a DJ you may be seen as liking one specific style of music but because we are enthusiastic about music it doesn’t make any difference as to what style it conforms too as long as you like it.
JSPS : Thanks Steve, it sounds as though you'll be having a busy and productive 2018 and I look forward to hearing the new stuff... Kill The Colossi - Fuck The Taxman
TO EVERYONE WHO PUTS THE FINGER UP AT THE GOVERNMENT'S PLAN AND UNITED, TOGETHER, AS ONE SHOUTS FUCK THE TAXMAN......
A few weeks ago I was minding my own business when I was slapped around the chops by a song that I needed to share with you immediately. I didn't get round to sharing it though as I quickly discovered that the band had a new single coming out soon so I decided to wait and see if it was going to be as good as the song I'd just been so excited about. Happily the wait was worthwhile.
Kill The Colossi got together last year and are from Bournemouth. The line up features Tyrone Moll (vocals/guitar), Adam Storey (guitar/vocals), Rowan Miles (bass) and ex-Gonads drummer Steve Higgins. Influenced by the likes of The Clash, Rancid, The Beat, Tsunami Bomb, Killing Joke, The Specials etc, they're on Never Be Quiet Records (a label that also boasts a couple of other bands to grace this blog, fellow south coast punks The Mistakes and The Crash Landings).
Now they're back with a brand new single and accompanying video. Confirming their status as one of the best new bands around, this is Fuck The Taxman.....
