And now they're back with one of the highlights from their excellent debut album Psychic Injury. The band line up is SAVAGE GARBAGE - Vocals, GAZ - Guitar (STIFF RICHARDS), BAD BOY BRENNY - Bass (POLUTE / PUBLIC HOUSE) & DIRTY BIRD DONOHUE - Drums. The music is unrelenting. Pounding and pummeling but always accessible to those of us who like our noise to be tuneful.
Snooper are a very cool punk band from Nashville, Tennessee who've been on the show several times but for some reason don't seem to have been on the blog. Today I'm righting that wrong.
Not sure what to correctly call them, egg punk? Devo-core? Hell, let's just settle for fast, playful and fun. If you've not come across them yet and want a starting off point then I'd recommend last year's album Super Snooper (https://snooper7.bandcamp.com/album/super-sn-per). It's an album with more than enough great tunes to make you fall in love with the band.
Their latest release will have the same effect. It's a hyper version of an early Devo song (https://www.youtube.com/watch?v=iBwmx-nt1mc). It takes the essence of the song and rips through it in under a minute. You can get it here :
There’s so many great female fronted punk bands around at the moment and these are another from the Australian gift that keeps on giving.
They’ve just dropped an album called ‘Moral Decay’ containing 14 tracks that pack a right punk rock punch.
Great catchy songs, dirty guitars and aggressive vocals delivered right in your face.
I’ve heard so many great Aussie girl punk from the likes of Amyl & The Sniffers, Vicious Blonde, Mitch Please, Backhand, & Dicklord just to name a few.
Sooks remind me a little of ‘Dickmove’ from New Zealand who are another great band.
The album is available on Bandcamp and very worthy of your attention.
And now they've just put out one of their strongest songs so welcome back guys.
It's the 3rd part of a trilogy of singles following on from Montreal Screwjob and Hadfield 5 and I think it's easiest just to let the band introduce it in their own words...
"It’s 2020. The political system in the UK is a complete joke, led by a clown of a prime minister and a ruling party treating us like characters in a collective Sims game controlled by the elite. Be Fair hadn’t been a band for very long, forced in and out of isolation like the rest of the world. We had written our first set of songs, including this one. This song captures how I felt at that time. I was infuriated by the broken promises, hypocrisy, and double standards of our government. While we isolated from loved ones and people died, Parliament partied. People tore down statues, we saw a frightening rise in right-wing politics, and an institutional denial of inconvenient historical truths. I was enraged by what I witnessed day in and day out, but even more so by the fact that it's been this way for as long as I can remember, with no sign of change. Since then, I've sung this song countless times on stage to small audiences, usually at the end of our set when my untrained and unskilled vocals are nearly ripped from my throat. Yet, I still scream the last lines of this song with every last drop as hard as I did the first time, and I will continue to do so as long as I feel the same frustration. By some sort of serendipity, we finally decided to release this song—one we've had for years but never felt ready to share—just as a general election was announced in the UK.
"Roddy Piper" is the name of a beloved Canadian wrestler turned actor who sadly passed away in 2015. The name was given to this song as a working title by our Wrestling loving guitarist Dickie - it stuck - and now that's what the songs called. We wrote it years ago, it has nothing to do with wrestling... but we love it, and hope you will to."
I don't know much about LEMON BOY (https://linktr.ee/lemonboyband). They're a trio from Seattle; Yasiman Ahsani (Guitar/Vocals), Nicole Giusti (Bass Guitar/Vocals) & Ethan Geller (Drums/Mastering). They tag their music as sour punk. What's sour punk? On the evidence of their new album, it's an attitude fueled mix of garage punk and riot grrrl.
It's always good when a band you've just stumbled across choose a strong track to kick an album off with as it immediately grabs your attention. LEMON BOY did that with this song. It's called I'm Fine and it's definitely more than just fine...
Formed in the lockdown of summer 2020 they have already released a few tracks and now a new EP “Versificator” which, after a quick bit of investigative work, means “one who creates verse;a poet”. They're a trio with a line up of Alice Brown (Drums/Vocals), Alan Gow (Guitar/Vocals) & Charlie Loveday (Bass/Vocals).
There are 4 tracks on the EP that musically sit in the punk structure with some great lyrics. The EP kicks off with the track “Empty Words”, which is very relevant here in the UK as we enter into 6 weeks of “national empty words” campaigns. The second track “Not My Job” is a brilliantly observed story of all the things you should be capable of doing yourself, like picking up after your dog and forming your own musical opinions.
Next up “Physical Things”, which reminded me lyrically of some of Buzzcocks songs where Pete Shelley used to list things, like in the track “I Believe”. This track is all about things the band like, such as “fish and chips” and “pick `n` mix”. Closing out the EP is musically the least “punk” track called “Cry” which lyrically is a bit more introspective.
Today sees the release of a debut album titled Your Own Good and it's every bit as impressive as I was expecting. It's available on vinyl and digital from Total Punk Records with the label enthusing thus; "Songs about the fucked-up state of our world, the overwhelming apathy of the population at large, self-empowerment, and the creeps who lurk the neighborhood. Featuring one of the hardest bangers in the game, a constant barrage of hook exchanges between the wiry guitars and rumbling bass, and a powerful vocalist shouting out calls to protest, ‘Your Own Good’ is an absolute banger of a debut. Dark, powerful, and 100% TOTAL PUNK!"
I'm going to highlight the closing track as it has the same passion and intensity as the preceding 10 songs but the addition of some brass instrumentation sees it standing out from the crowd. It reminds me a little of Downtown Boys. It's called GUGI...
Hattiesburg (Mississippi) hell-raisers Judy And The Jerks return today with a blink and you'll miss it track from their new split album with Parma (Italy) power punks Shitty Life.
Featuring a line up of Julie Gore (vocals), Austin Griffith (guitar), Hampton Martin (bass) & Sarah Krock (drums), Judy and the Jerks are a band that are at their most ferocious on this release. They rattle through 10 songs in well under 10 minutes and by the end of their contribution you're gasping for breath... but there's no let up as Shitty Life step up to the plate with another 4 bangers (one of which I'll play on next week's Just Some Punk Songs show).
They return today with their contribution to a compilation album from For Love Of Records titled Yesterday & Today: DC Does Dischord. It's the label's first ever release and what a way to kick things off. A lovingly compiled homage showcasing the dynamism & diversity of Washington DC label Dischord.
It boasts 27 bands putting their own unique spin on a bunch of classic tracks. It's available as a gatefold double vinyl LP with a portion of the proceeds to benefit We Are Family DC (wearefamilydc.org). You can indulge yourself on some great music here : https://forloveofrecords.bandcamp.com/album/yesterday-today-dc-does-dischord
One of the treasures plucked from the trove is this cover of a track featured of Rites Of Spring's 1985 S/T album. It's called For Want Of...
I, I believed memory might mirror no reflections on me I, I believed that in forgetting I might set myself free But I woke up this morning with a piece of past caught in my throat And then I choked
I, I bled, I tried to hide the heart from the head And I, I said I bled in the arms of a girl I'd barely met But I woke up this morning with the present in splinters on the ground And then I drowned
And if I can't see, it's for want of you
You said I see, if there's nothing here, then it's probably mine Well, my, my turn to see, if there's nothing here it'll always be mine, mine I woke up this morning with a piece of past caught in my throat And then I choked
I, I guess I've learned the taste of the days that will always burn I, I guess I've learned if it's in the corner of my eye, well I can always turn 'Cause I woke up this morning with the present in splinters on the ground And then I drowned, yeah
Featuring a line up of Rudah (Drums), Ange (Words/Vocals), Morgin (Bass) & Kyle (Guitars/Composition) I think it's safe to say that the release of their debut album has seen them more than fulfil that early promise.
The album's titled Moral Decay and it's a hardcore punk fans wet dream. Aggressive but accessible, lean and mean it's an album you'll be revisiting again and again. It's available via Permanent Residence on 12" vinyl and on digital : https://sooksband.bandcamp.com/album/moral-decay
I played album opener Library on a recent show and I'll play a different one next week but for the blog it seems rude not to go with the video they've just released. This is Medicareless...
Here's the final table for the Just Some Punk Songs league. Congratulations to Vinny Vincent on his 3rd successive victory with his team Dingo Ate My Baby. Congratulations also to Harrison Flint who's team Harrison's XI beat Graham Powell's Red Man Walking 69-63 in the cup final.